With 39 million subscribers, you have to admit that Felix Kjellberg has succeeded in mesmerizing his viewers. There are no cultural funds for slim productions on Youtube. If his “bros” want more horror in forthcoming episodes, then Pewdiepie has little choice but to try and meet their wishes. The difference here is that the audience is in direct contact with the director. And for each performance, the structure and content gradually makes its way into your heart. I didn’t anyway the pomposity mostly reminded me of the sort of popular tales that you used to get in rural Sweden. Show me a first time opera-goer who can appreciate Verdi’s La Traviata without any prior knowledge. It is a subculture that requires a set of keys to be able to fully understand it - in that respect it is not entirely unlike the world of opera. And in the Happy Wheels game, for example, another of Pewdiepie's favourite characters, Irresponsible Dad, yells at his son as both of them get impaled on a bloody spear. If he should come across a pig carcass next to a pile of bodies in some torture chamber, you can pretty much guarantee that he is going to try and shove its snout between the buttocks of one of the bodies. The jokes, crude and laddish, have an unmistakable bouquet of net forum and humour sites like Imgur, Reddit and 9gag about them. Mr Chair, as the chair is known, is one of Pewdiepie’s regular sidekicks.Ī tab ambiguous perhaps, but that’s just the way he rolls. When Pewdiepie starts conversing with a chair in the Slender Man horror game, his followers know that it is a reference to the time he played Amnesia a few years ago. Together with his “bros” - his almost religiously devoted following - he has managed to establish an Internet mythology of his own through his Let’s Play videos. His winning business concept is admirably brief: playing video games and commenting on what happens in the game. In his role as Pewdiepie he can tick all of those boxes. His now famous journey from Chalmers University drop-out, selling hotdogs, to Youtube sensation, is like a speeded up and online version of the American, and now perhaps also Swedish, belief in “do something, be someone and preferably get rich while you’re at it.” But the dust inevitably settles, floating gently back down towards the platform, and by the time we hit the tarmac, Felix Kjellberg is already at the next station. We swirl about for a moment as he thunders past, and we think we sense a direction, a glimpse of the future. If Felix Kjellberg were a high-speed train, then the rest of us are just gravel on the platform. Users on Metacritic gave the Xbox version of Bulb Boy a 7.6/10.How’s it going, bros? My name is PewDiePie! He ultimately gave the game a "great" rating of 8/10 concluding that while it may be short, it was "clearly lovingly put-together" and managed to "refreshingly" make horror "cute and fun, rather than take itself seriously". Positive mention was also given to the game's final boss, which Craddock felt "offered a slightly different experience that was put together nicely". Ryan Craddock of Nintendo Life, similarly gave the Nintendo Switch version of Bulb Boy a positive review, citing its "successful mixture of ideas" which "see you doing different things as you progress through the story." Craddock also praised its "simple" controls, noting that while the lack of touchscreen input in a point-and-click style game might seem like a "missed opportunity", it meant that players would have the same experience whether in handheld or TV mode. He also bemoaned one instance where a control option wasn't clear to him, causing a puzzle to stump him for the "wrong reason". Of the few gripes Nation had with Bulb Boy, its short length was one of them. The touch controls were similarly lauded, with Nation calling the game "easy to pick up" as a result. ![]() He also praised the music, feeling that it was "appropriately themed" and helped "reinforce what's on the screen nicely". ![]() He praised the game's artstyle, positively comparing it to the work of The Ren & Stimpy Show creator John Kricfalusi calling the visuals "a lot of fun". Writing for Nintendo World Report, Justin Nation gave the game an 8/10. Review aggregator Metacritic gave the Switch version of Bulb Boy a score of 75 out of 100, indicating "generally favorable reviews".
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